Eirik Wangberg  Recordings released 1970

1. The recordings were made in Hollywood, California, unless mentioned otherwise
2. (S) Single, (A) Album, (EP) Extended play, (Other) / World-wide release unless mentioned otherwise
3. Year signifies year of release
4. * Number One, ** Certified Gold (sales exceeding 500,000), *** Number One and Certified Gold (sales exceeding 500,000), **** Number One and Certified Platinum (first introduced in 1976)(sales exceeding 1,000,000), ***** Number One and several times Certified Platinum (sales exceeding 2,000,000)
5. This list includes RIAA (The Recording Industry Association of America) certifications of recorded sales in the U.S.
6. Disclaimer: The images used herein are owned by the individual copyright holders and are presented for review and promotional purposes only.


YEAR OF RELEASE   < Prev   | 1964-67 | 1967 cont. | 1968 | 1969 | 1970 | 1971 | 1972-73 | 1974-75 | 1976-77 | 1978-79 | 1980-81 | 1982 | 1983-89 | 1990-94 | 1995-97 | 1998-99 | 2000-01 | 2002-03 | 2004-05 | 2006- |    Next>  



Monterey Pop Festival 1967

Jimi Hendrix set fire to his guitar

ARE YOU EXPERIENCED?
Monterey Pop - The USA debut of...
The Jimi Hendrix Experience
After playing clubs in Greenwich Village as Jimmy James for a few years, Jimi went to London and formed the Jimi Hendrix Experience. Paul McCartney recommended him (actually insisted upon him) to John Philips for Monterey Pop and the rest is history.
Jimi set more than his guitar on fire that weekend. He revolutionized modern music and brought the guitar blazing into its own as a fiery solo instrument. Jimi's fire was fueled by rock, blues, jazz, and his own inspiration. I don't think many of us who heard him that weekend realized it at the time, but when the smoke cleared, we were looking at a new music world which Jimi had created.
The prevailing memory of the show was the fire, the smoke, and feedback. But, you know, the guy could really play and sing. Unfortunately, the flame of Jimi's creative genius was snuffed out -
long before it hit its peak.


Jimi Hendrix
and Otis Redding
Live At The Monterey
International Pop Festival

Jimi Hendrix and Otis Redding




Side A
The Jimi Hendrix Experience:
1. Like A Rolling Stone
2. Rock Me Baby
3. Can You See Me
4. Wild Thing

Jimi Hendrix -
Guitar and vocals
Noel Redding - Bass
Mitch Mitchell - Drums
Brian Jones - Introduction

Side B
Otis Redding:
1. Shake
2. Respect
3. Been Loving You Too Long
4. Satisfaction
5. Try A Little Tenderness

Players:
Otis Redding - Vocals
Booker T. - Organ
Steve Cropper - Guitar
Duck Dunn - Bass
Al Jackson - Drums
And The Memphis Horns

M I X
Monterey and Hollywood, California
Reprise MS-2029
(A) Recorded 1967, mixed 1969
and released January 1st 1970
All About Jazz Magazine:
"One of the Ten Best
Live Rock Recordings Ever"


The summer of love

Otis Redding

Otis Redding was totally out of sight. This was Otis' first major appearance before a predominately white audience and it's reported he was a little apprehensive. No need. He had the crowd eating out of his hand. Especially when he introduced the first public performance of "Sittin' on the Dock of the Bay".
Everyone loved him.
Excerpts from Natskled's http://members.tripod.com/
Yelnats_Yarkled/Monterey


Golden Hits Vol. 2
The Turtles

Co-production of sound and mix
Hollywood, California
White Whale Records
(A) 1970 **


Moving Along
The Osmond Brothers

Sound production
Mix

Motown Records
(S) 1970


Mississippi
April Anne
John Phillips

Co-production of sound
UK StatesideSS8046
(S) 1970

Joan Baez In Concert
Joan Baez

Mix
San Francisco and
Hollywood, California
Vanguard Records
(A) 1970 **

The Best of Gordon Lightfoot
Gordon Lightfoot

Co-production of sound and mix
Hollywood, California
Universal Records, Canada
(A) 1970 ***


Joan Baez In Concert Vol. 2
Joan Baez

Mix
San Francisco and
Hollywood, California
Fantasy Records
(A) 1970


The City
Carole King

Sound production
Mix

Hollywood, California
Ode Records Z 12-44012
(A) 1970 **


Snow Queen
Carole King

Co-production of sound and mix
Ode Records
(S) 1970


Bootleg?
The City
Carole King

Sound production
Mix

Ode Records Z 12-44012
(A) 1970 **


Lu
Peggy Lipton

Co-production of sound
Ode Records 124
(S) 1970


Midnight Rider
Eirik (Wangberg)


Record production
Sound production and mix
Writer, Arranger, Musician

Hollywood, California
Amos Records AJB 123
(S) 1970


Wear Your Love Like Heaven
Peggy Lipton

Co-production of sound
Ode Records 66001
(S) 1970




YEAR OF RELEASE   < Prev   | 1964-67 | 1967 cont. | 1968 | 1969 | 1970 | 1971 | 1972-73 | 1974-75 | 1976-77 | 1978-79 | 1980-81 | 1982 | 1983-89 | 1990-94 | 1995-97 | 1998-99 | 2000-01 | 2002-03 | 2004-05 | 2006- |    Next>  


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